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CARMEN ESTENSSORO

Above (L to R):

Una bolsa y una Caja, Free Size digital collage, 2020

Curucursil, Free Size digital collage, 2020

Muleta, Free Size digital collage, 2020

Untitled, Free Size digital collage, 2020

“The series “Drawings” arises from the need to confront the fear of not returning to the people we love”

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JI ZHANG

Above (L to R):

Cross It! 8 1/2” x 11”, Archival Inkjet Print, Edition of 9, 2020

Coco Angel, 8 1/2” x 11”, Archival Inkjet Print, Edition of 9, 2020

Shy! Shy!, 8 1/2” x 11”, Archival Inkjet Print, Edition of 9, 2020

Back for Hell, 8 1/2” x 11”, Archival Inkjet Print, Edition of 9, 2020

Medusa!, 8 1/2” x 11”, Archival Inkjet Print, Edition of 9, 2020

Squeeze, 8 1/2” x 11”, Archival Inkjet Print, Edition of 9, 2020

During 2020 Zhang started new group of work with casual iPhone digital drawing base on his quarantine selfies

“Stay at home; be sexy; have fun”

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FINN HANSEN

Good Ride (official private access Zoom programming), 14 minutes and 30 seconds performance, 3.29 Gb of data compressed and streamed, 2020

Good Ride is an audio/video coda to an undergraduate education concluded in isolation. The work is a free-form open letter composed of audio/video exercises and meditations on privacy/publicity, compression/expansion, transcendence, mutation, and wormholes via the medium of the old-world celebrity.

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LIVE PERFORMANCE : MAY 17TH, 7PM - CLICK HERE FOR ZOOM LINK / PASSWORD IS DECAMERON

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MALCOLM LOMAX

THE VECTOR: A Series with NO Finale in Sight is a poem that deals with the infiltrating of media into the home during the current COVID-19 quarantine. Using language that centers on the televisual and epidemiology it explore the banal yet harrowing nature of the pandemic. It is regarding our relationship to this media as a tasked one and our relationship with the pandemic as a kind of insidious entity. The images attached to the project are a mood board of the artist’s upcoming exhibition that is in the works exploring: home, queer intimacies, and the ambiguities of space and inhabitant.  CLICK HERE FOR PDF



TAINA CRUZ

Letters to Breonna Taylor, Ahmaud Arbery, Sandra Bland, Antonio Williams, Alberta Spruill and Sean Bell, Ink on notebook paper, 2020

Letters to Breonna Taylor, Ahmaud Arbery, Sandra Bland, Antonio Williams, Alberta Spruill and Sean Bell is a written stream of consciousness piece reflecting on the artist experience growing up with police brutality being a present factor in decision making, thoughts and ideas. A much needed moment for the artist to give thanks to their lives and their contribution to who the artist is today, as they graduate from undergrad art school.



JOSHUA COYNE

Thanksgiving, Sound, 04:30:00, 2020

Thanksgiving is a sound poem about gratitude and mourning. All sounds were recorded from Josh Coyne’s New York City apartment. The piece is a reaction to the 7 PM Thanksgiving Ceremony, where residents of the city applaud for approximately five minutes, in appreciation of the front line Medical Workers. The applause, while celebratory, serves as a solemn reminder if the warlike carnage taking place in many hospitals and clinics. This piece is his thank you to those workers, as well as his reflection on the act of commemoration. CLICK THE IMAGE TO VIEW



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MISHA ILYIN

Documentation care instructions #3, 11.69” x 16.53”, Archival inkjet Paper, Edition of 5, 2020

Misha Ilin’s care instructions, 2020, when executed, carry the identity of the performer and also referencing the mundane socio-political context, in which performer exists. Once performed by the artist himself or another person and documented instructions take forms of domestic sculptures, performances, video and audio works, commenting on the matters of mundane labor, social roles, and existing political environment. CLICK HERE FOR PDF

The artist requests that you email your findings to misha.ilin.bennani@gmail.com

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NANDI LOAF

Coming Soon, 00:52:00, Video, Color, Sound, 2020

Nandi Loaf is the most important artist of the 21st century

Post-Post Art World Where Nandi Loaf is Greatest Artist, T-shirt, Dimensions Variable, 2020

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KAYLA DRZEWICKI

In her cursor works, she attempts to reverse roles (cursor is the performer instead of the tool, while the user remains idle), while also communicating that the only real skill involved is knowing how to move a cursor. CLICK ON TITLES BELOW TO WATCH EACH FILM

Above (L to R):

My Cursor Dancing The Cha Cha Slide, Live Desktop Performance, 04:17:00, 2020

My Cursor Looking at Itself in the Mirror, Live Desktop Performance, 00:40:00, 2020

My Cursor Makes an Omelette, Live Desktop Performance, 08:42:00, 2020

In May 2020 she released a new line of 10 Screensavers, available for free download on Mac or PC. You can download her screen savers (compatible with PC or MAC) for free. Just click Start Here, HERE

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ALEXANDRA TATARSKY

Tatarsky makes performances in the unfortunate in-between zone of performance art, comedy, object theater, and deluded rant. She pursues clown logic and the mysticism of the cuticle.

LOT PIECE can be purchased for the cost of dirt, which I am selling at the price of gold. Currently: $1720/Oz.

As certificate of ownership, you shall receive a 1-oz dirtbag. Materials: topsoil + compost (very valuable).

Edition of 10.

If 10 dirtbags sell, I will buy a lot and live in it. You will be partial owner of my dream. (Thank you in advance.)

SEE PDF HERE

CLICK HERE FOR A FULL PDF WITH INFORMATION ON EACH ARTIST AND THEIR WORK/S