http://www.newreleasegallery.com/classes daily 0.75 2020-12-06 http://www.newreleasegallery.com/home daily 1.0 2022-06-03 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/e9be8809-3bb6-4a07-a639-878a2e998c2f/GS-FLYER+copy.jpg Home - Make it stand out Whatever it is, the way you tell your story online can make all the difference. http://www.newreleasegallery.com/past-exhibitions daily 0.75 2022-03-31 http://www.newreleasegallery.com/siebren-versteeg daily 0.75 2016-01-28 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1454015943117-IWBA8EKAA4BZPWW0LYLH/whiterock.png Siebren Versteeg http://www.newreleasegallery.com/kamil-franko daily 0.75 2016-01-28 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1454016428456-BSQQNC55L1PB9O3IN1S3/KamilFranko_Love%26Violence_Mailer.jpg Kamil Franko http://www.newreleasegallery.com/stephen daily 0.75 2016-03-29 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1459284289484-3KN8Q5CFGS6CLQJ7R2SS/STORY_BOOK_LAND_FLYER-01+copy.jpg STEPHEN http://www.newreleasegallery.com/the-dark-clicks-on-robert-davis-esther-ruiz daily 0.75 2016-02-17 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1455677566110-XDILP0DFC14E2KL4XR5H/DARK35.jpg The Dark Clicks On: Robert Davis & Esther Ruiz http://www.newreleasegallery.com/cubit daily 0.75 2016-07-07 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1467915922046-V0A01R4YRXA5605U0QIM/CUBIT.jpg CUBIT http://www.newreleasegallery.com/tomorrows-sensations daily 0.75 2016-05-17 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1463525409552-34FEC33LZ4TE8L0ZD8WQ/DH_Invite-sm.jpg TOMORROW'S SENSATIONS http://www.newreleasegallery.com/dre daily 0.75 2016-08-07 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1470544738897-T12ZTDHZE3595JAC2OXL/DRE.jpg DRE http://www.newreleasegallery.com/labor daily 0.75 2016-10-13 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1476384405254-YSHIIN6EU90YOBR3POM3/image-asset.jpeg LABOR LABOR WORK ACTION Gregory Kalliche, Jordan Kasey, Anne Libby, Amber Renaye Organized by Silke Lindner Sutti September 9 - October 9, 2016 _____________________________________________________________________________________________ LABOR is the activity which corresponds to the biological process of the human body […] The human condition of labor is life itself. WORK is the activity which corresponds to the unnaturalness of human existence, which is not embedded in, and whose mortality is not compensated by, the species’ ever-recurring life cycle. Work provides an artificial world of things, distinctly different from all natural surroundings. ACTION is the only activity that goes on directly between men without the intermediary of thing or matter, corresponds to the human condition of plurality […] Plurality is the condition of human action because we are all the same, that is, human, in such a way that nobody is ever the same as anyone else who ever lived, lives, or will live. Hannah Arendt, The Human Condition, 1958 _________________________________________________________________________________________ In The Human Condition, Hannah Arendt asserts that human life on earth consists of three fundamental activities: labor, work, and action. This exhibition features work by Gregory Kalliche, Jordan Kasey, Anne Libby, and Amber Renaye that place themselves within these fundamentals. Addressing the automatization of everyday life, the dualism of nature and technology, and the interaction of our shared space on earth, all works connect through the human activity of work that distinguishes the human as homo faber: the creator of an artificial world of things who is able to determine his fate through tools. The Human Condition was published almost 60 years ago, at a time when one could only guess how technology would dominate the future. Arendt’s certainty and clarity in which she predetermines the development of technological extensions of the human brain and body are remarkable. The works in the exhibition combine these still valid fundamentals of activities while positioning them in new perspectives on technology. Anne Libby’s sculptures explore the relations of labor, mass production and technology. Using a CNC router - a computer controlled cutting machine - Libby combines and contrasts the characteristics of plywood and Formica. Formica, a highly industrial and durable material usually used for work surfaces and countertops - is shaped into ornamental flowers drawn from reproductions of Art Nouveau designs. The way the Formica droops off the plywood creates a wilting quality that highlights the fragile shift from manual labor to mass manufacturing at the beginning of the 20th century. Jordan Kasey’s paintings explore the tension and interaction of the shared space of matter and physicality. Not togetherness but distance and solidarity are palpable in the space they occupy. Monumental larger-than-life figures spill out over the edges of the canvas. TV Dinner (2016) shows the back of a figure whose own interactions are paused while watching the acts of others. Amber Renaye’s audio piece Four Four (2016) and corresponding wall-bound sculptures contemplate how “life is managing life”. Here, the necessity of walking - placing one foot in front of the other - is emblematic for labor as automated activity. Rather than walking a straight line from A to B the steps give room for the space in-between. The dualism of nature and artificiality is epitomized in a dinosaur-human hybrid in Gregory Kalliche’s video Last Chance (2016). The video is named after the Heaven’s Gate cult’s video appeal Last Chance to Evacuate Planet Earth Before it is Recycled (1997) recorded shortly before the group’s collective suicide. In an inner monologue the humanized character of Last Chance attempts to overcome the ‘imprisonment to the earth’, escaping the human condition in favor of a yet undiscovered man-made condition. http://www.newreleasegallery.com/arden daily 0.75 2017-01-02 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1483379495994-SEQM7C2CDTVBS7KYK8V7/Arden_Invite2.jpg arden http://www.newreleasegallery.com/bird daily 0.75 2017-02-05 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1486314555976-2PA7YTD4CGBM82V9I7MB/BirdPlane.jpg Bird http://www.newreleasegallery.com/andy daily 0.75 2017-03-27 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1490629243595-0EE17B1AS38YVCVSUDBC/image-asset.jpeg Andy http://www.newreleasegallery.com/logan daily 0.75 2017-05-03 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1493846150241-AIACPCI7VGAQXRDEX0XY/Logan_5.jpg LOGAN http://www.newreleasegallery.com/ophelia daily 0.75 2017-06-06 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1496791122510-OPQ5X13U7CJS2WAWJ03K/Ophelia_Imagefront.jpg ophelia http://www.newreleasegallery.com/yale daily 0.75 2017-07-12 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1499882605355-XMX67XJN0AJJCDNFCGG7/YALEFRONT1.jpg YALE YALE PAINTING MFA 2017   JUNE 16TH, 6-9 PM JUNE 16TH - JULY 8TH, 2017 The Yale Art Crew 2017 These happy few, this band of brothers and sisters, having departed from the lofty precincts of Yale with a shiny diploma and massive student debt, will show the gentle viewer what they've got. What better place to begin their journey through the Dantean terrors and Promethean pleasures of the art world than this former video store in Chinatown, directly across from the back end of the Tombs, run by a clever young woman old enough to be their sister? As we beat against a rising tide of planetary ignorance, take heart in these 'Infinite riches in a little room'. Here we have installed a few fragments of the new art generated by these agile young minds, rendered on paper and canvas, video, by any means necessary. Blows, however delicate, against the Empire of Stupid. Beauty forced out in fits and starts and sudden leaps of faith or faithlessness, this fusion of elements, bright ideas refined by two years at Yale, spurred on by wise men and warriors and a few utter flakes who stormed the citadel of academe and nestle now in its branches, secure in their tenured cloaks, issuing their fiats about what is good art and what is not. Those augurs' voices grow fainter as the clamor of real life takes over and this crew begin to create exactly what they want, first steps of a trek that we hope will generate much future dazzle, delight, and enlightenment. "Begin to begin again, turning the inside out." -Max Blagg http://www.newreleasegallery.com/jesse daily 0.75 2017-10-01 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1506873228198-47MYA1G9IJKQDNMA4BIS/edwardsswhoo.jpg jesse   JESSE EDWARDS SEE THE WORDS I CAN'T SAY SEPT. 8TH - SEPT. 30TH, 2017 OPENING RECEPTION: SEPTEMBER 8TH, 6-9 PM   - WE’LL TELL YOU THAT, UH, KOJAK ALWAYS GETS THE KILLER, OR THAT NOBODY EVER GETS CANCER AT ARCHIE BUNKER’S HOUSE, AND NO MATTER HOW MUCH TROUBLE THE HERO IS IN, DON’T WORRY, JUST LOOK AT YOUR WATCH; AT THE END OF THE HOUR HE’S GOING TO WIN. WE’LL TELL YOU ANY SHIT YOU WANT TO HEAR. WE DEAL IN ILLUSIONS, MAN! -PADDY CHAYEFSKY LIFE SIZE CERAMIC TELEVISIONS RENDERED WITH GRACEFUL, AND MOSTLY FAMILIAR FIGURATION TAKE UP THE MAJORITY OF JESSE EDWARDS’ SEE THE WORDS I CAN'T SAY. THE PAINTINGS, TAKING PAUSE ON ICONIC ANIMATED FILMS LIKE ALICE IN WONDERLAND (1951) AND FANTASIA (1940), OFFER A RARE GLIMPSE INTO A PERFECTED SCREEN GRAB RATHER THAN AN AMBIGUOUS SPLIT SECOND SLIDE IN A CONTINUOUS WHOLE. DETAILS THAT EDWARDS CHOOSES TO INCLUDE SUCH AS A SMOKE RING OR A SLOSH OF WATER FROM A PAIL ARE REINVENTED BACK INTO THE STILL RATHER THAN THE MOVING PICTURE. THE VIEWER IS ABLE TO CAPITALIZE ON TIME WITH THE FROZEN SCREEN, MUCH LIKE FOLLOWING ONE OF BRUEGHEL’S CLASSIC SCENES, ANTICIPATING AND RECREATING A NEXT MOMENT THAT WON’T EVER ARRIVE.         New Release 60 Mulberry Street, New York, NY 10013 For more information, please contact erin@newreleasegallery.com. www.newreleasegallery.com http://www.newreleasegallery.com/exceeds daily 0.75 2017-11-21 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1511301366118-LMCFLYHPEYUKGBKD8ZGH/The+Small+Exceeds+Flyer+%28large%29.jpg exceeds http://www.newreleasegallery.com/rachel daily 0.75 2017-11-21 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1511299795665-WBUBOYGVR3HYSFG49WQN/Rachelfront.jpg rachel http://www.newreleasegallery.com/daniel daily 0.75 2018-01-18 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1516310946385-PQ3HEHJNH4UCX71DQTXA/danielgibsoninvite2.jpg daniel http://www.newreleasegallery.com/yves daily 0.75 2018-03-20 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1521512358161-SREBTKTEHMYGOXT8VNBU/Yves.jpg yves   YVES SCHERER PRIMAL Opening: Friday, February 16th, 6-9 PM February 16th - March 17th, 2018 Behind every cultural revolution, there is a certain primal energy that drives the essence of its change, fervently yanking at the seams of cultural stasis or inertia. This primitive energy often gets obscured by the sheer newness of the cultural development, which narrows our attention to the specifics of the fresh “thing” at hand, rather than the essential force propelling it forward. Similarly, this veil of newness and content shrouds us from analyzing cultural developments beyond what they will do in our specific temporal moment, due to the blurred lens of the contemporary where the present can only easily be comprehended as the present, and not as the distant past it will soon become. Though technological and cultural breakthroughs today might just be the building blocks to much larger cultural paradigms of the future, we can only laud their purpose and importance in the context of the contemporary moment. Stuck in the lens of the present, our culture is primitive in ways we cannot yet comprehend. […] *Excerpt from A Text by Andrew Nunes, 2018     Primal is a project by Swiss born, New York based artist Yves Scherer. Composed over three venues, additional work will be on view at: Cassina Projects February 22 - April 14, 2018 508 W 24th St, New York, NY 10011 Opening Reception: 24th of February, 6 - 9 pm 1950 / Alberto Aquilino March 2 - April 14, 2018 52 E 76th St, New York, NY 10021 Opening Reception: 1st of March, 6 - 8 pm For inquiries please email erin@newreleasegallery.com New Release is open Fridays - Sundays, 12-6 PM and by appointment http://www.newreleasegallery.com/signe daily 0.75 2018-02-13 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1518532832116-KDWX94L16TEZN3VJ8BES/signe_reflexxx.jpg SIGNE Signe Pierce American Reflexxx - January 20th, 6-9 PM January 20th - February 11th, 2018   American Reflexxx will begin its run at New Release on Saturday, January 20th from 6-9 PM. New Release is a former video rental store in Chinatown that was converted into an art gallery in 2015. In keeping with the history of the space, the interior of New Release will be filled with a lush lighting design by Signe Pierce, incorporating elements of decor that are signature to a classic video store or cinema screening room. The short film American Reflexxx (dir. Alli Coates) will be screening on a loop on a mounted television. Inviting guests to stop in on cold winter afternoons, sit on the couch and absorb the provocative film, New Release will expand from a gallery to a place where one can come to relax and enjoy a safe space whilst hopefully inspiring social and political discourse among both friends and strangers. -- Signe Pierce is a multimedia artist whose work straddles performance, photography, video, social media, light design and installation. As a self-described "reality artist", Pierce's work is inspired by the concept of reality being an artistic medium, and that an artist's life can be viewed within a similar context as an artist's work. Her work often explores multi-layered perceptions, and the ways that we discern what is considered "real" or "actual" within a burgeoning era of hyperreality and technological singularity. Over the past year, Pierce has participated in multiple performances, installations, and exhibitions, including solo shows at Annka Kultys Gallery in London and Galerie Nathalie Halgand in Vienna, an installation and performance at the Museum of Fine Arts in Leipzig, Germany, a performance at the Museum of Modern Art, and an artist's talk at Yale University. She is the star and co-creator of the acclaimed short film, American Reflexxx, which has received multiple awards and has been screened in over 15 countries. http://www.newreleasegallery.com/riley daily 0.75 2018-04-23 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1524506055412-SPH4L4O59UQALL10GXRK/R_Payne_the_curl.jpg riley RILEY PAYNE ANY DAY NOW Opening: Friday, March 23rd, 6-9 PM March 23rd - April 21st, 2018 Water/Plants/People/Places New Release presents Any Day Now, Riley Payne’s first exhibition with the gallery and first solo show in New York. Drawing on the pictorial formulas of stock photography – pre-loaded with sly market research psychology and the mundanity of the everyday - Payne makes labor-intensive graphite drawings that attempt to tease out new connections and coincidences between seemingly disparate visual elements. With the inclusion (or exclusion via vacant spaces of un-rendered white paper) of snippets of text, recognizable shapes and lighter scribble, Payne’s drawings are alternately humorous, jarring and harmonious; leading to unexpected mental associations. Images of craft, labour, nature and leisure become neutral fields for quick and impulsive mark-making (though in this case the mark making is slowed down to a crawl, a space where the viewer is asked to contemplate the inevitable question – ‘why bother?’). However, by choosing to re-render images, humor, contextualization and ambiguity leads to productive ongoing dialogues on modern topics. For inquiries please email erin@newreleasegallery.com New Release is open Fridays - Sundays, 12-6 PM and by appointment http://www.newreleasegallery.com/linnea daily 0.75 2018-06-12 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1528826732127-LE64U4R4SRJG2Y8NI4D4/Linnea_firstside.jpg linnea http://www.newreleasegallery.com/new-releases daily 0.75 2018-09-06 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1536264639927-5I0X1UDTB0TMV2ISLDOM/mac_invite.jpg New Releases http://www.newreleasegallery.com/aint daily 0.75 2019-01-13 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1547394591475-R0SU63M4GNLZOKR8P6GT/ainttheminvite.jpg aint http://www.newreleasegallery.com/gerald daily 0.75 2019-02-16 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1550355205068-MSA1EHJ5SJ3E9OB15OEY/GeraldInvite.jpg gerald http://www.newreleasegallery.com/kerri daily 0.75 2019-05-12 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1557689817983-1L3X70H9LJ3V9HBHE0E2/kerrifront1.jpg kerri KERRI SCHARLIN In Her Studio Artist Reception: Saturday, February 23rd, 6-8 PM February 23rd – March 31st, 2019 When I first discovered Kerri Scharlin’s work in the 1990s I was fascinated, like many others, by her bold outsourcing of production, by her boundary-defying engagement with non-art fields (the legal system, the entertainment industry) and by her willingness to open up her life to public view. Looking back at her work I’m struck at its prophetic, predictive aspects. The end of privacy, the fusion of art and entertainment, the redefinition of identity as a brand of performative faux celebrity—all these facts of 21st-century existence are present and problematized in the work Scharlin made in the waning years of the 20th century. It was the exemplary nature of Scharlin’s early work that inspired me to include her in my book The Miraculous, an exploration of conceptual and performance art (completed in the early 2000s, though not published until 2014). And now Scharlin is back, re-emerging via a different medium (painting) and with a different subject (other people instead of herself) but just as compelling artistically. At the heart of Scharlin’s recent work are her paintings and drawings of contemporary women artists in their studios. Noteworthy for their incisive lines and fearless colors, these images grew out of the shock Scharlin felt when she began venturing back into the art world after many years of isolation in her studio. It was so much bigger; there were so many new artists. To help make sense of this transformed landscape she started to create portraits of artists in their studios. Based on photographs found in art magazines and online, these studio scenes are a record of Scharlin’s enthusiasms; they are also a celebration of the growing recognition given to women artists, and a reminder of how relatively invisible women artists have been in the past. Alongside the studio pictures, Scharlin makes frieze-like “Strips,” which offer a running commentary on the contradictions and confusions of the world outside the studio. In the process of offering us an extensive iconographic catalogue of contemporary women artists--painters, mostly--Scharlin reveals herself as a daring colorist in the spirit of Jacob Lawrence and Hans Hofmann, and as a wonderful painter of paintings-within-paintings. Perhaps not since Matisse has an artist filled their work with so many representations of paintings. Although the subjects of the “In Her Studio” works are never of the artist herself, it’s easy to surmise that Scharlin is drawing deeply on her own experience, on her years of working alone in her studio. As at the beginning her career, Scharlin’s work is a meditation on identity, on the boundaries of the self, on the uncertain zone where art and life converse. -Raphael Rubinstein, January 2019 http://www.newreleasegallery.com/yale-1 daily 0.75 2019-07-03 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1562182758619-SMC1RE4BBFAF4J0BJ7ZJ/YALE2019INVITE1.jpg yale http://www.newreleasegallery.com/mess daily 0.75 2019-07-26 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1562182530488-IVKP462GIN9IJBKCAH2C/messhallinvite.jpg mess New Release is pleased to present the launch of Mess Hall, a new culinary journal created by Tate A.K. Obayashi. This first volume is the Hometown Issue and includes, according to Obayashi, "...nineteen professional eaters from across North America who have graciously shared the unpretentious foods they love, and the nostalgic and sometimes messy stories behind them." Coinciding with the launch, New Release will exhibit seven artists that have at some time or another, with more frequency or less, created works related to the art of cuisine. Artists include Dwayne Butcher, Robert Davis, Katarina Janeckova, Rachel Martin, Jay Miriam, Alex Nelson and Peter Zohore. Mess Hall opens on July 10th, 6-8 PM through Saturday, July 27th, 2019. Mess Hall journal is $15 and will be available at New Release on July 10th until they have all been consumed. Photo: Nell Henderson http://www.newreleasegallery.com/wedding daily 0.75 2019-10-03 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1570111920452-3N0CD72U107P2Q93KDB8/thewedding.jpg wedding http://www.newreleasegallery.com/michael daily 0.75 2019-11-09 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1569707429434-3BA8AZQTAOQ6LDKB6H7J/postcard001.jpg michael MICHAEL CHILDRESS LOVE & DEATH / The Entrance or The Exit October 4th - November 3rd, 2019 New Release presents “LOVE & DEATH / The Entrance or The Exit”, Michael Childress’ first solo exhibition at the gallery. Two mirroring bodies of work, which Childress has dubbed Soft Tokens and Aether Swells, will be exhibited. In the Aether Swells works, acrylic orbs create a tension between departure and return on raw canvas. The translation for swell or wave in French is houle, a word which originates from Old Norse as a cave or hole. This positive-negative duality resonates within the repeated form, suggesting an expanding force or a receding void. In the Soft Tokens series, found photographs have been matched with color-aid paper. The paper’s tone amplifies the environment of the photograph while at the same time giving the found object a new association, history, and home. The date has been removed, yet it is understood that we are looking at something from the past, an artifact. An attempt to recall is eclipsed by an unsettling unknown. Susan Sontag writes on (sometimes unfamiliar) photographs, “The lover’s photograph hidden in a married woman’s wallet…the snapshots of cabdriver’s children clipped to the visor - all such talismanic uses of photography express a dealing both sentimental and implicitly magical: they are attempts to contact or lay claim to another reality.” In each of these bodies of work, a portal is presented, offering theoretical passages into new dimensions. Michael Childress (b.1987, New York), was the recipient of the 2018 Leslie Lohman Museum Queer Artist Fellowship. He has exhibited in New York at Cuevas Tilleard, Radiator Gallery and False Flag. Childress curated a group exhibition “The Small Exceeds” at New Release in 2017. He received his BFA from the University of Massachusetts at Amherst in 2009. Childress lives and works in Brooklyn, NY. http://www.newreleasegallery.com/family daily 0.75 2019-12-24 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1577197459065-A19ZURWJGAT87PFFA5GU/OGLANDERFAMILY2.jpg family http://www.newreleasegallery.com/keith daily 0.75 2020-02-04 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1580309757673-7RE5RKFMG1JDEFKTWFUU/Screen+Shot+2020-01-29+at+9.58.15+AM.png keith https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1580309777392-QUYUI10NCDM0OT5EXH9B/Screen+Shot+2020-01-29+at+9.58.25+AM.png keith https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1580833004396-7MSVWO4CZAN81RZ363J6/KeithLaFuente_BL.jpg keith BL, or Boys Love, is a burgeoning genre of Asian television that centers male/male relationships. A few countries -namely Thailand and Taiwan- have fostered the production of these melodramatic gay romances, which have their own culturally specific set of characters, story lines, and tropes. In a landscape where diverse, high quality depictions of LGBTQ+ people of color are still few and far between, it's exciting to find a trove of alternative narratives thriving outside of our typical viewpoint. Come join us Thursday, January 30 at 7:30 for BL 101, a casual introductory lecture by Keith Lafuente about BL: what it is, where it comes from, who it is written for - and of course, what to watch! An installation will be on view from January 31st - February 2nd, 2020, 12-6 PM http://www.newreleasegallery.com/ralph daily 0.75 2020-03-12 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1584042633328-GY9SGAVBHX7SU7QSV8IG/AndyRalph_invite2.jpg ralph http://www.newreleasegallery.com/decameron4 daily 0.75 2020-05-17 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589146460679-IYP1NN7K821VAKSBSJWM/1z+peter+doyle_constant+worry+%28day+15%29+.jpg Decameron4 PETER DOYLE constant worry (day 15), 48” x 60”, Acrylic on canvas, 2020 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589393987222-QS54INIWY2DV9EBNRYLS/d4.jpg Decameron4 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589146382210-5XC5M2HU8DP6C6OUPJ7E/sm1.jpg Decameron4 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589146820375-9USU4ZM7727PCYB7EWJN/2KathrynRose_ava.jpg Decameron4 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589147231149-NQ7FKWQ3XMPDMN9KVCO0/1z.+Aches_Equal.jpg Decameron4 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589146587549-U65Q7F4BV2D5S3AMHEUI/Neil_Dunne_Remnants_side.JPG Decameron4 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589146587607-RZ5D6NJRB6CBHWAS9E5U/Neil_Dunne_Remnants_small.JPG Decameron4 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589147523342-XMFKSICPYSLELQKG1ZWN/Screen+Shot+2020-05-10+at+5.50.29+PM.png Decameron4 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589147472830-57SNDSPS0CRNNZV8WVX1/Screen+Shot+2020-05-10+at+5.50.44+PM.png Decameron4 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589146979686-XPGW2ZC9SLHD3PZR4K9N/Screen+Shot+2020-05-10+at+5.41.52+PM.png Decameron4 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589728732016-5OS5LE0MAWHQXZCI6MRZ/blue_brigata_NEW.jpg Decameron4 http://www.newreleasegallery.com/decameron1 daily 0.75 2020-05-09 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589044151512-KEGTN0O85D9TA20I5OLU/d1.jpg Decameron1 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589045724914-8NQOT91DKAOCZE28EVUD/SILKED1.jpg Decameron1 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589046833060-J19DAWWJXVJFQ39XTUMC/3_spring+river+shota+nakamura+.jpg Decameron1 SHOTA NAKAMURA Untitled (Spring River), 24.8” X 19”, Colored pencil on paper, 2020 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589046388055-3P5CBA5E2D7IKYP18CQ1/Screen%2BShot%2B2020-05-09%2Bat%2B1.19.30%2BPM.jpg Decameron1 EMMA KOHLMANN Waiting in My Window, 14” x 11”, Watercolor and sumi ink on paper, 2020 Inquire https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589047857398-IPZXEJLVVQ2NPWBMDEQV/6_Hanah+Beerman1.jpg Decameron1 HANNAH BEERMAN Hi Silke, Digital Image, 2020 Inquire https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589047410636-9H1947XP75QPAA8JN0L8/4_11.jpg Decameron1 CUDELICE BRAZELTON Grade, 55” X 14 1/2”, Cardboard, duct tape, aluminum sheet, aluminum bowls, carpet, sanding paper, spike stud, magnetic primer and inkjet print, 2020 THE NEW GRADE A voice can be heard through the interior shell of the breaker. Shifting and modulating as it desperately calls, the interior(s) ignore the thumping sound waves from the outside. The audio levels of a voice of a man to them is as loud as standing behind the engine of a speeding jet. SR-71 Blackbird. The Interior(s) are stationary, silent as miniature lightning currents sparkle along their collective body. Ignoring the voice’s calls. “Hurry my good man!” The dark cloaked pilot thought to himself as he rapidly presses the button to call into the facility. There was much to repair on today’s assignment. Duct tape was to be fitted along the cardboard rods, dish bowls to be attached to the aluminum cross braces, Magnetic fluid to coat the labels. The carpet base still hasn’t been picked up by the nearby dumpster either. And let’s not forget the tedious drilling and bolting of the The New Grade, which is difficult to do with inefficient tools. The frustrated pilot scratched the back of his head. His crusted fingernails raking the silver off his dirty scalp. The breaker was either damaged or the interior(s) could be paying him no mind. A buzzing static could be heard from the breaker, indicating that they were online, sitting along side by side to be activated. The pilot looked up to the top of the gate in front of him to gauge the height. Climbing over would be quite the task for his withered body, but it was either risking a few broken ribs or to lose his only source of income. The choice was obvious. .... The New Grade is now complete. Performance levels have increased dramatically. - Heightened sensitivity to high and low frequencies - Stronger identification of reliable resources - Faster recognition of low fuel levels - Material catalog updated - Social output increased - Chrome ribcage installed https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589047792236-JNV0Z9HXWOQX9D6E6VCN/5_Harry+Moritz1.jpg Decameron1 HARRY MORITZ Bottle Butt Plugs, Aluminum, Brass, Plexiglas, Butt Plug, Porn, 2020 Inquire http://www.newreleasegallery.com/the-decameron daily 0.75 2020-05-20 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589468972103-XOJJXABXL5ADQ1IC4C9P/d4.jpg The Decameron https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589555941754-7HD5K3TQAGP2YQC2L7BN/D1.jpg The Decameron https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589896249820-7MDM9XMO3YF8Y4WJE6KK/D9.jpg The Decameron https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589639300399-UA4NFVAKE03LB35LT19W/D6.jpg The Decameron https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589985760125-GVJ2J4WKIAW7R14U9BI8/d10.jpg The Decameron https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589389313183-BJHT9ZVJ9SJSN4YNK86O/d31.jpg The Decameron https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589290419595-XX97CGENJLWAAAACMP5L/D1.jpg The Decameron https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589719613663-EAZL0J9UB1VFXKSE7BKY/d7.jpg The Decameron https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589810323054-DBCQDOQ1ZAE0G9V365XV/D8.jpg The Decameron https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589043946003-TJZ6A4NNTSOORMVH6XE8/d1.jpg The Decameron http://www.newreleasegallery.com/decameron2 daily 0.75 2020-05-13 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589136937257-5E2ZOX6OY34P57RJ0461/SusanPasowicz1.jpg Decameron2 Dreamer Inside the Square, 12” X 12”, Colored pencil on paper, 2018 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589136937390-NE84EAGVVQSJ00GII1RQ/SusanPasowicz2.jpg Decameron2 Magic Frame, 14” x 17”, Colored pencil on paper, 2019 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589136939851-JWSSDWWON9A5YEQP5EKR/SusanPasowicz3.jpg Decameron2 Professional, 9” x 12”, Colored pencil on paper, 2019 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589136201723-QWUIAW2RH44HR01M0080/AlexisGumbs1.jpg Decameron2 ALEXIS PAULINE GUMBS reading from her book "M Archive" https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589137239184-KO69NTA2G03P4HS7GZ9A/HeidiJoyntMollyKobelt2.png Decameron2 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589137242478-YE94EIYPSCO34X5N2SD0/HeidiJoyntMollyKobelt2.png Decameron2 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589208324015-9LTNH15IDQKLI05HJWQS/eric_blackhammer.jpg Decameron2 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589137450954-K0XSBO9Y0ZJH17XX4L7I/MadeleineFinley1.jpg Decameron2 Floating Off the Dust, 17” x 14”, Charcoal, graphite, and pastel on Bristol, 2020 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589137450775-IQ0Y92DIEN5D4PBIXGHJ/MadeleineFinley2.jpg Decameron2 Fortify These Walls, 17” x 14”, Charcoal, graphite, and pastel on Bristol, 2020 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589137452146-OJIXBGXDPKLIPAV2PWSL/MadeleineFinley3.jpg Decameron2 From the Road, 17” x 14”, Charcoal, graphite, and pastel on Bristol, 2020 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589138051367-7KO8EYETQGJBLPM6UB5Y/LouisWain.jpg Decameron2 Spill vase in the form of a cat, 6” x 2” x 5”, Ceramic and glaze, circa 2014 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589138051499-NSNEW9ESC7DI11R4CUJC/LouisWain2.jpg Decameron2 The Lucky Master Cat, 8” x 4” x 4”, Ceramic and glaze, 1914 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589138051716-GRSYZ2GEQ54827TMJ875/LouisWain3.jpg Decameron2 Lucky, 6” x 3 1/2” x 5”, Ceramic and glaze, circa 1914 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589041125215-C7OLQBBLTB3CGV7D9QUU/VaginalDavis1.jpg Decameron2 Jane Avril, 9” X 6”, Glycerin, hydrogen peroxide, coconut oil, perfume, watercolor pencil, eye shadow, rouge, foundation, nail enamel, lacquer, polish, Datura, Hamamelis Wasser, Mandrake, Henbane, hairspray, and Iberogast on found paper, 2018 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589041125316-MNKM0DVYHMNTXJPNO9C1/VaginalDavis2.jpg Decameron2 Two Mary Wigmans, 5 3/4” x 4”, Glycerin, hydrogen peroxide, coconut oil, perfume, watercolor pencil, eye shadow, rouge, foundation, nail enamel, lacquer, polish, Datura, Hamamelis Wasser, Mandrake, Henbane, hairspray, and Iberogast on found paper, 2018 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589041125854-H1VZT539F5VRQ548TRM5/VaginalDavis3.jpg Decameron2 The Book of Dahma and Nisma, 8 1/5” x 5 4/5”, Watercolor pencil, nail varnish, lip stain, eye shadow, glycerin, hydrogen peroxide, witch hazel, coconut oil, cocoa butter, perfume, hairspray, Anacin Fast Pain Relief Tablets, Excedrin Migraine & Headache Tablets, Lydia E. Punkham Women's Compound and Health Tonic, 2018 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589137642206-E4RE2K2UZRDKZL8YOO8U/ErteCollectionbyCourvoisier1.jpg Decameron2 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589136861214-ZO7FIBFY41ROUOKD1JBA/HeidiJoyntMollyKobelt.jpg Decameron2 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589136488891-YXUXMZJ0OQ05G8RJ0A8G/CatalinaOuyang.jpg Decameron2 CATALINA OUYANG fish mystery in the shift horizon, 2019 Documentation of durational performance LED headlamps, artist’s translations of Cai Yan's "胡笳十八拍” written in the spirit of Yu Xuanji, appropriations of poems by Yu Xuanji, cited texts “Sometime in early April I was talking with my friend Tenaya on the phone and feeling anxious/low, and they offered to read to me from “Bloodchild” by Octavia Butler, which they had just started; but a few paragraphs in, they realized they didn’t like reading aloud so I offered to take over from the book I was reading, Dub. I found the task relaxing, a way to slow down my own racing thoughts and entreat myself to hear this amazing rhythmic prose aloud, which I hardly ever do otherwise (without an audience). I so enjoyed it that I made an Instagram story offering to read for 30 minutes to anyone who asked, friend or stranger, which I’ve since been doing once or twice a week. There is something really lovely and intimate about sharing this phone time, without frills, introductions, or small talk, with a person receiving my voice, delivering someone else’s words, at the other end.” https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589043995555-7TN7ROCUQ1661HIX5AF3/D1.jpg Decameron2 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589040567959-6Y99LB4Z1XBL2JG0SB86/MattMorris1.jpg Decameron2 Matt Morris, Powder Puff Pinup, 12" x 9", Chalk pastel on paper, 2020 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589040567405-6MZA7UPOLSFNCTOW2KFC/MattMorris2.jpg Decameron2 Matt Morris, Powderpuff Pin-Up, 12" x 9", Chalk pastel on paper, 2020 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589040569421-5LERUMHDPVVFH4RG9JD2/MattMorris3.jpg Decameron2 Matt Morris, Powder Puff Pinup, 12" x 9", Chalk pastel on paper, 2020 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589138611039-KN6K5XO9OJF5ML9KVS29/AnnCraven1.jpg Decameron2 Cats in Shelter (Walnut, May 02, 2020), 17” x 14”, Graphite on paper, 2020 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589138610988-OAENT4WHGICK86L33OE3/AnnCraven2.jpg Decameron2 Cats in Shelter (Frick & Frac, May 02, 2020), 12” x 9”, Graphite on paper, 2020 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589138612747-O2739KAL6YJ6902QUGC8/AnnCraven3.jpg Decameron2 Cats in Shelter (Lena, Again, May 02, 2020, 12” x 9”, Soft pastel on paper, 2020 http://www.newreleasegallery.com/decameron3 daily 0.75 2020-05-13 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589390196277-VUCLF3I28157WA6BH2DJ/d31.jpg Decameron3 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589141660232-KBMV1A16NAAKKCARPOKT/MAX1.jpg Decameron3 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589141735472-GJRH20YCXFHEYLQONMO1/DeliGallery_PaulMetrinko_BroadChannel.jpg Decameron3 Broad Channel, 6 1/2 x 8 inches, Oil on ceramic, 2019 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589141732832-8ZOWHLSXFBLWH2EV96HK/DeliGallery_PaulMetrinko_EastRiver.jpg Decameron3 East River, 5 1/2” x 6 1/2”, Oil on ceramic, 2019 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589141744065-CISSKI63PR6V93N87OTG/DeliGallery_PaulMetrinko_EastRiverTwilight.jpg Decameron3 East River Twilight, 6 1/4” x 9”, Oil on ceramic, 2019 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589141746872-9E33AQYEK8MYFTP3OAMW/DeliGallery_PaulMetrinko_EndofDay.jpg Decameron3 End of Day, 9 x 7 1/4”, Oil on ceramic, 2019 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589141750610-CW3EHFD6ZSZ2P49S4WMB/DeliGallery_PaulMetrinko_NorthMeadow.jpg Decameron3 North Meadow, 6” x 4 3/4”, Oil on ceramic, 2019 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589142020085-13M8WML9919MQU42298U/DeliGallery_LiladeMagalhaes_Gulosa.jpeg Decameron3 Gulosa, 3” x 27” x 9”, Glazed ceramic, oil paint and wood, 2020 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589142025481-MUPILLUN1Z1EIX841UHE/DeliGallery_LiladeMagalhaes_HostsandGuests_Grub_01.jpg Decameron3 Guests and Hosts (Almost about to be ready for change, 3” x 8” x 4”, Glazed ceramic, vinyl paint, 2019 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589142026989-B82Z37KX4XCGBD8C429W/DeliGallery_LiladeMagalhaes_HostsandGuests_Worms_01.jpg Decameron3 Guests and Hosts (Soil Test), 3” x 10” x 9”, Glazed ceramic, vinyl paint, 2019 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589142040532-91JS8D8IU5LVTZ7CDMJ6/DeliGallery_LiladeMagalhaes_InNoRush.jpg Decameron3 In no rush to be on time, 31” x 34”, Dyed sheet, thread, chalk pastel, 2019 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589142029027-ATR9BZ223ACF2CX2J8RI/DeliGallery_LiladeMagalhaes_NeverBe.jpeg Decameron3 Never Be, 55” x 41”, Velvet, thread and oil pastel, 2018 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589141918825-4S15H67LVSYHEQYXGBEU/Deli_AlexandriaTarver_Bleached1.jpg Decameron3 New painting - beached 1, 14” x 11”, Oil on panel, 2019 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589141919988-0JM2SLY7UKFTEQNHOX37/Deli_AlexandriaTarver_NewPainting30.jpg Decameron3 New painting 30, 10” x 8”, Oil and graphite on linen, 2016 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589141928964-J832ZYEYN82A5WVGY7UN/Deli_AlexandriaTarver_NewPainting33.jpg Decameron3 New painting 33, 10” x 8”, Oil and graphite on linen, 2016 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589141929674-96JL57VNQC4B3JV8FSSC/Deli_AlexandriaTarver_NewPainting46.jpg Decameron3 New painting 46, 10” x 8”, Oil and graphite on linen, 2016 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589141932766-DP9LB4YWQN9EYHXD7BH1/Deli_AlexandriaTarver_RiseRush1.jpg Decameron3 New painting - rise/rush 1, 14” x 11”, Oil on panel, 2019 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589141806898-B7BYJJJYQG0Y1XEPH59X/DeliGallery_AthenaTorri_AbovetheCrest.jpg Decameron3 Above the Crest of that Colossal Mountain, 20” x 16”, Digital Inkjet print, 2018, Edition 1/5 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589141804064-3DMN03GBK9I2XQ474BTA/DeliGallery_AthenaTorri_BetweenMountain.png Decameron3 Between Mountains, Valleys, 20” x 16”, Digital inkjet print, 2018, Edition 1/5 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589141813107-0H8BRGK4LDGLMOETZIIQ/DeliGallery_AthenaTorri_EveryoneSleeps.jpg Decameron3 Everyone Sleeps Down in The Village But With His Face in the Snow the Alpine Cannot Sleep, 20” x 16”, Digital Inkjet print, 2020, Edition 1/5 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589141817972-Z34QOE763Y1Q38CQY7X9/DeliGallery_AthenaTorri_PickComeonPick.jpg Decameron3 Pick, Come on, Pick an Edelweiss, to Remind You of Our Love, 20” x 16”, Digital inkjet print, 2020, Edition 1/5 https://images.squarespace-cdn.com/content/v1/55ff5ec3e4b0d2c7514c0ede/1589141820082-DMTZMX3I4KO9RW5XML90/DeliGallery_AthenaTorri_WhenYouAreAlone.png Decameron3 When You Are Alone at Home, and In Your Heart You Pray for Me, 20” x 16”, Digital inkjet print, 2020, Edition 1/5 http://www.newreleasegallery.com/decameron10 daily 0.75 2020-05-20 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